The film premiered on 21 May , in competition at the Cannes Film Festival. Lorrain argued that the form resulted in exaggeration and clumsiness, which burdened the film, and evoked questions about the balance between cinema as a conveyor of truth and cinema as light entertainment.
Lorrain noted that, with a couple of exceptions, "the French have the villainous role Difficult to leave Outside the Law without a feeling of guilt, already caused with Days of Glory by Bouchareb, who, by filming the opposite Maghrebin side, presses where it hurts in the official history of France. At the same time, he doesn't provide a rosy picture of the FLN , far from that. This does not seem to be the intention of Outside the Law , as the aim was to show that France hadn't held a certain promise to the Algerians The film, which is perfect on the aesthetical level and far from a turkey , may be entered in the anti-colonial register but not anti-French.
The Philadelphia Inquirer published a review by Carrie Rickey , who wrote, "Under the obvious influence of Francis Ford Coppola , Bouchareb frames his shadow-ridden guerrilla heroes as the Algerian counterparts of the Corleones ", referring to the American film The Godfather , and further that Outside the Law owes "an enormous debt to Jean-Pierre Melville 's Army of Shadows , about French resistance fighters one-minded in their goal to subvert Nazis".
Rickey wrote, "Bouchareb is sometimes a little too one-minded: His movie might have been richer emotionally had he written scenes showing the characters' domestic lives and not strictly their professional spheres. Stephen Holden of The New York Times called Outside the Law a " didactic , unashamedly manipulative film", and also saw parallels to The Godfather and Army of Shadows : "Those are mighty shoes to fill, and as powerful and well-made as it is, Outside the Law is too schematic and single-minded to lodge itself in your mind as a fully realized cinematic epic.
Its few female characters are sketchy at best. Before the film premiered, already it was met by political controversy and nationalist-oriented criticism in France. The numerous improbabilities present in the scenario show that the writing of the latter was not preceded by a serious historical study.
Europeans lashed out against Muslims in response to Muslims massacring Europeans. Before even seeing the film, Luca also criticized the decision to give public funding to a film which he considered "anti-French". From this point of view, I do not think at all that he has deviated from historical reality," he said. He was finally retired after running unplaced as a outsider in the Jewson Novices' Handicap Chase at the Cheltenham Festival.
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